Gravity Works
Coloring Technique
#1.0 Soft Cell Technique
This tutorial demonstrates
a quick and easy way to color a full piece with very few effects, tools
and layers. It's good for beginner's and undoubtedly useful to experts
looking to cut down production time.
Like all art tools, you still
need to know which colors to pick, and how light and shadows work to bring
out the full potential of your work.
Software : Adobe Photoshop
6/7
Note : With a little imagination,
applying these techniques to similar programs such as Paint Shop Pro will
be a snap. The tools are the same, it's the pressure and opacity levels
that function differently.
Tools : Magic Wand,
Lasso tools, Paintbucket, Airbrush, Paintbrush, and Gradient tool.
Settings :
-
Magic Wand normal setting for
Background line art.
-
Lasso tools Anti-aliased, Feather
2-3 pxl for selecting shadow areas and light areas on the color layer.
-
Airbrush normal, opacity 4-9.
Used on lasso selections.
-
Paintbrush, options set on lighten,
100 opacity. Not used until last step.
-
Gradient normal, 60 opacity.
The importance of
layers : Most amateurs do all of their coloring in one layer, and while
you could do a number of these steps in less layers, we recommend you keep
them separate. It's easier to make changes that way.
The importance of saving
: As always, it's usually a good idea to make back up copies of your
art file as you are working, including one under a separate file name in
case of file corruption. Do this at least once a day, either when you start
or you finish for the night, that way the previous day's work is saved
in the event of a digital disaster.
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Step one : Scan
your drawing in at 300 DIP in text "line art" mode and save it to your
disk.
(If your scanner uses different
terminology, "line art" is the setting where your work is scanned in as
pure black and white format with no grays)
Minor touch up work sometimes
is required to make the piece clean and ready to be colored. Make
sure you get nice clean black lines by adjusting the contrast. You can
do this by going to
Image -> Adjust -> Brightness
-> Contrast
From there you can begin
altering the dark lines on the piece manually. Don't leave any blemishes
you don't want in the final piece.
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Step two : Setting
up Layers. Keep your Line Art as your background, make a new layer named
"colors," and set the options to Darken.
In this layer, you will be
filling a flat, basic color for all of the objects in your piece. You will
be doing no shading or light effects in this panel at all. You will use
other layers for that layer.
The easiest way to make selections,
is to use the magic wand tool to select areas in the black and white drawing,
and then fill in the colors on the "colors" layer. Leave your original
B&W drawing untouched, you may need it later to make new selections
or change colors on items if you become unsatisfied with your previous
choice.
If you have decided on a
background color, you can do a basic fill on this layer, or a gradient.
If you are unsure, you can always come back later and do it. Basic fills
will work great if you intend to shade the background like an object.
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Step three :
Create
a new layer called lights, the setting should be normal. Use the lasso
tool to make the shape of light patterns on objects that are getting direct
light or reflected light. When you use the air brush or the fill tool,
you will have soft patches of light hitting your objects.
If you have created a background
already, you can add extra effects to it in this layer that can be edited
later if you are unhappy with them.
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Step four : Lightening
your black and white drawing. Make a copy of this layer, and lock your
black and white drawing up in case you have an accident coloring.
The copy of the B&W drawing
goes under the layers for colors and highlights. Use the paintbrush tool
to color over your lines, since it's below the color layers, you won't
need to make any selections unless you want to. For the color, use any
value darker than the color the line contains. When two objects of different
colors are next to each other, like the face and her suit, use the color
of the object that's in front of the other; in this case, her face.
If you're adding a background
in later, don't worry about sloppy colors leaking outside the characters
or objects in this image. simply add the background into the layers above
the colored line art and there will be no problem.
If you're using it as stand
alone image and or to cut and paste into other images, fixing it up is
easy. When you're done, go to the B&W image, and select the area outside
of your object or character, go to the layer you just colored in, and delete
the excess color.
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Step five : In
every image there is a light source, usually artists don't include them
because they can be hard to show accurately. But here we'll give you a
simple technique that will let you put a very convincing set of flood lights
into any image.
First make a new layer set
at normal. You can put that layer anywhere but under the line art. In the
example on the right, the background and lighting effects are done on the
same layer, but you can do them separately if you wish.
If you wish to do lighting
effects that run over your characters or objects, you will need to place
this layer above your color and lights layer.
Select your Lasso tool, straight
line or free, and begin selecting areas out for your background. Next,
get your airbrush, you can play with the opacity and the options a bit,
to start airbrushing in the selections. You should use some light colors
like light yellow or white. Afterwards, make more selections with the lasso
tool and repeat the process, changing the opacity on your brush tool if
you wish. Your goal is to get a light glow effect, so work slowly and patiently.
With each new layer of light you add, you will notice the center of the
light source is getting brighter and brighter, which is perfect.
More on the backgrounds :
Some artists wait till they're done coloring an image to color in the background,
some do so at the very beginning. Honestly, you can do it at any time during
the coloring process you choose. If you keep the lighting effects and background
on separate layers, adjusting them is easy. But if you do them on the same
layer, be sure you figure out your background first, save often, and be
well aquatinted with the undo options your software and computer can handle.
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Finally :
Flatten the image, enjoy!
Happy Coloring!
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